Beasts of Legend

Beasts of Legend

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We have nothing to fear but fear itself - and monsters. Richard Herring

Cosmology and The Dreaming

Ancestor Beings and Creation Tracks

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Ancestor Beings and their creation tracks sit at the core of Aboriginal cosmology, linking the emergence of landscapes, species, and social order to enduring lines of story and responsibility. Often called Ancestral or Creation beings, they traveled across Country in the Dreaming, shaping landforms, instituting law, and depositing songs, designs, and ceremonies. Their routesโ€”variously described as creation tracks or songlinesโ€”remain active frameworks that people steward through performance, visitation, and obligation. This section explains the nature of these beings, how their tracks structure Country, and why custodianship is both a legal and ethical mandate passed through families and language groups.

What Are Ancestor Beings?

Ancestor Beings are foundational agents whose actions in the Dreaming established the physical, social, and moral fabric of the world. They can present as human-like, animal, plant, or hybrid forms, and often shift form during their journeys. In many traditions, their travels explain the origin of mountains, rivers, rock formations, species behaviors, kin relations, and ceremonial obligations. Crucially, these beings do not belong to the past alone: their presence and power persist in named places, designs, songs, and living communities who inherit duties tied to those beings.

Because Ancestor Beings establish law (sometimes called โ€œLawโ€ with a capital L), their narratives are not merely stories but legal charters. The rights to tell, perform, and manage aspects of these narratives are held by specific custodians, often aligned with language groups, clans, skin groups, or totems. Breaches of correct practice around these beings and their sites carry both spiritual risk and social sanction.

Creation Tracks (Songlines)

Creation tracks are the itineraries of Ancestor Beings. They manifest as sequences of placesโ€”waterholes, ridgelines, dunes, rock shelters, coastal pointsโ€”tied together by named episodes. When performed in the right order by authorized people, these tracks operate as maps and as law codes. They articulate boundaries, resource knowledge, intergroup relations, and rules of conduct for travel and ceremony.

  • They are multi-modal: conveyed through sung verses, dance cycles, designs, body painting, and carved or painted motifs.
  • They are spatially precise: each verse or motif can index a particular place (or set of places) in order along the track.
  • They are socially bounded: permissions to teach, perform, or publish track segments are governed by custodianship, gendered protocol, and initiation level.
  • They are temporally continuous: the Dreaming is not โ€œoverโ€; it is concurrent with everyday life and reaffirmed in practice.
  • They are ecologically instructive: tracks encode water knowledge, seasonal indicators, species behavior, and safe passages.

Some tracks are local and nested within a single estate; others traverse vast distances and connect multiple peoples who share related verses under different dialect names. When tracks cross language boundaries, exchange relationships and joint ceremonial events help maintain continuity and resolve variations, ensuring the integrity of the track across Country.

Law, Kinship, and Obligation

Ancestor Beings assign kinship patterns and totemic affiliations. These affiliations link people to specific species, places, and ceremonies. Responsibilities include keeping stories accurate, maintaining sacred places, and ensuring the ongoing vitality (or โ€œincreaseโ€) of species and waters associated with the being.

  • Ceremonial obligations: preparing and conducting rites, songs, and dances that renew ties to the track and being.
  • Custodial obligations: protecting sites from harm, monitoring access, and responding to breaches with appropriate processes.
  • Transmission obligations: teaching authorized segments to the right people at the right time, often in stages aligned to initiation.
  • Travel obligations: when moving along a track, seeking permission, announcing presence with correct language terms, and observing avoidance or sharing rules.

These obligations are not optional cultural add-ons; they are the juridical foundation of life with Country. They guide decision-making on resource use, access paths, seasonal movements, and diplomacy with neighboring groups whose tracks intersect.

Sacred Sites, Markers, and Increase Places

Along a creation track, Ancestor Beings leave tangible and intangible markers. The tangible can include distinctive rock formations, engravings, shelters with paintings, stone arrangements, or specific trees. The intangible can include a song stanza, a design pattern, or a named wind or cloud form that signals the beingโ€™s presence.

  • Story places: locations where a key episode unfolded; often restricted to certain visitors or ceremony.
  • Increase sites: places where the abundance of a species is ritually renewed; access and actions are strictly prescribed.
  • Thresholds and crossings: points where tracks intersect, calling for diplomatic protocols.
  • Resting and transformation sites: where a being changed form or went into the ground, water, or sky, leaving a permanent feature.

Correct behavior at these placesโ€”quietness, offerings, avoidance of certain foods, or gender-specific rulesโ€”maintains balance. Missteps at a site can affect rainfall, animal movements, or community wellbeing according to the Law encoded in the track.

Transmission: Songs, Designs, and Performance

Creation tracks are transmitted through a sophisticated system that integrates performance and visual symbolism. Song cycles are memory architectures for route sequences and law. Dance and body designs render the beingโ€™s attributes and the pathโ€™s landmarks onto the moving body, turning performers into living maps. Rock art, bark painting, and sand or string designs fix episodes into durable or ephemeral records, often with layered meanings withheld from general audiences.

Knowledge is graduated. Public, menโ€™s, womenโ€™s, and initiated knowledge levels ensure that dangerous or sacred details are protected and taught responsibly. Publication of designs or narratives without permission can breach Law and harm communities, even when well-intended.

Regional Expressions and Interconnected Tracks

While the structural principles of Ancestor Beings and tracks are widely shared, expressions vary by region and language. Desert communities maintain long-distance track systems whose verses map dunes, rockholes, and claypans. In the Kimberley, ancestral beings associated with cloud, rain, and rock art impose distinct ceremonial cycles and visual styles. In Arnhem Land, water and freshwaterโ€“saltwater interfaces are prominent, with songlines tracking tides, monsoon rhythms, and estuaries. In southeastern regions, riverine and forest tracks articulate law through stone arrangements, bora grounds, and story places linked to specific mountain ranges and waterways.

These differences are not contradictions; they are local calibrations of a shared ontology. Many tracks are pan-regional, with local verses, names, and designs anchoring shared narratives to specific Countries. Stewardship depends on respectful collaboration across groups who hold adjacent segments.

Contemporary Continuity and Protocols for Engagement

Creation tracks continue to guide land and water management, cultural education, and community health. Today, custodians may combine on-Country practice with digital archives and mapping tools governed by Indigenous cultural and intellectual property (ICIP) principles. However, digitization does not change ownership or permission requirements: tracks are not public domain simply because they are described in books or online.

  • Seek guidance and permission from relevant custodians before visiting, documenting, or reproducing material related to a track.
  • Use correct names and language terms provided by custodians; avoid imposing external labels.
  • Respect restrictions (gender-specific, age/initiatory, or seasonal) and do not publish restricted designs or verses.
  • Support community-led conservation for sites along tracks, including water management, visitor protocols, and signage co-authored by Traditional Owners.

When honored, creation tracks enable ethically robust partnerships for heritage protection, education, and scientific research, aligning contemporary practice with the enduring law set down by Ancestor Beings.

Key Terms

  • Ancestor Beings: Foundational agents whose actions established landforms, species, and law.
  • Creation track / Songline: The route and sequence of places marking an Ancestor Beingโ€™s journey, encoded in songs, designs, and ceremonies.
  • Country: An integrated living entity of lands, waters, skies, beings, and stories to which people belong and hold responsibilities.
  • Increase site: A place for renewing species abundance and ecological balance via ceremony.
  • Custodian: A person or group holding authority and responsibility for specific stories, places, and practices.

Understanding Ancestor Beings and their creation tracks means recognizing that law, landscape, and life are inseparable. The tracks are not only maps of the past; they are instructions for present conduct and future care of Country.

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CONTENTS

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Songlines as Maps

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